Here’s Tony Benjamin‘s usual comprehensive and informative listing of the jazz on offer for the coming week. Thanks to him, as ever, for the trouble he takes compiling this – it’s quite time-consuming, you know! Don’t forget to look out for his excellent reviews on Bristol247.
Was annoyed to miss Sefrial at another venue last week, recovering after the splendours of the London Jazz Festival, so good to have another chance to hear them in a listening venue on Friday. Will they push your jazz tingle buttons?
jazz week Nov 30-Dec 6
Given the mordant wit at the heart of their musical project it’s suitably tasteless to predict that the Pushy Doctors gig at Fringe @ The Mall (Wednesday 2) will be a ‘heartwarming’ affair. The many fans of the band will be delighted to welcome manic drummer (and recent alarming cardio-vascular crisis victim) Tony Orrell back to the line-up, alongside Dan Moore and Andy Sheppard. While cheeky young whippersnapper Mark Whitlam will be behind the drum kit, Tony’s contributions on percussion and electronics will be distinctively his own and one of Bristol’s best kept musical secrets will be back on its anarchic form. Another welcome is due to the Old Market Assembly, a new food, drink, theatre and music venue linked to Canteen and No 1 Harbourside. Promising live music five days a week the programme is likely to include a fair helping of jazz as well as regular swing dance nights.
In fact there’s two jazz nights at Canteen this week, with the groove-focused John Pratt Trio (Wednesday 2) and The Roamin’ Jasmine on Sunday (6). The latter are a young street band from New Orleans who play classic blues, calypso and R’n’B tunes in the Dixieland style as well as original music with a strong vintage flavour. More locally-grown young trad talent crops up down in the docks when the Spiegeltent Extravaganza (Thursday 3) features The Hot Tin Roofs. Back on Princess Victoria Street November’s Fringe Free Jazz session (Monday 30) welcomes ace of bass Ashley John Long, sometime protegée of Keith Tippett at the RWA, in a ‘double double bass’ face off with resident Paul Anstey.
Sophie Stockham’s ubiquitous post-rock contemporary sextet Sefrial are at the Bebop (Friday 4) while the Future Inn features locally-based Dutch pianist and composer Daan Temmink (Thursday 3) with his regular quartet on the same night as jazz-funk heavyweights Errol’s Kitchen will be rocking the Grain Barge. There’ll be Ernest Ranglin inspired instrumental jazz/reggae in the Colston Hall Foyer when veteran reggae guitarist Andrew ‘Murph’ Murphy’s D play the drivetime session (Saturday 5). Finally the mighty Blockheads play the Fleece (Saturday 5) and, while that might not sound like a jazz gig to some, the combination of Gilad Atzmon’s sax, Dylan Howe drumming and the mighty bass guitar of Norman Watt Roy always pushes my best jazz tingle buttons.
And don’t forget … the week’s regular sessions that don’t always publicise their listings in advance:
Mondays: (Alternating) Canteen Jazz Session/Old Market Assembly Jazz Session; Trad jazz Old Duke. Tuesdays: (alternate) Henry’s Hot Six Chelsea Inn; Jazz Funk & Soul Society Small Horse Social Club. Thursdays: Pot luck! Old Duke; Groove Den Gallimaufrey; Left Bank Jam. Sundays: Old Duke trad (lunchtime) Old Fish Market jazz session (evening)
And finally from your genial blog host… Next Sunday (Dec 6) sees the Bristol launch of bassist Greg Cordez‘s excellent first CD Paper Crane at Ian Storror’s final 2015 gig at the Hen and Chicken. Greg’s quintet is something of an all-star local band, with Jake McMurchie on sax, Nick Malcolm on trumpet, Jim Blomfield on piano and Mark Whitlam on drums. They’ve played together a good deal around town, and did a London Jazz Festival set at the Pizza Express the other week. Everyone responds well to Cordez’ lyrical writing – Blomfield, in particular, playing as well as I’ve ever heard, which is very well indeed. Fellow piano man Mike Collins seemed to agree when he heard them at the Bear back in March… A very promising prospect for next weekend.
A late posting this week (my fault, not Tony Benjamin’s) – due to delightful weekend distractions of the London Jazz festival. But for those in need, here are Tony’s notes on the forthcoming week’s jazz in Bristol.
Jazz Week Nov 23-29
Freedom is in the chilly November air, it seems, and a wave of top improvising musicians descend on the city … well, there’s a couple of good gigs, at least: Wednesday’s Fringe @ The Mall (25) welcomes the heavily seasoned Paul Dunmall Trio, the mighty saxophonist (and bagpiper) joined as ever by John Edwards (bass) and Mark Sanders (drums). Years of collaboration have honed this to one of the best improvising outfits in Europe. Equally enticing – it’s billed as ‘not for the fainthearted’ – is the Ape/The de Selby Codex double bill at The Exchange the following Saturday (28). Scheduled for lunchtime the de Selbies are a six-piece that includes Fringe free jazz regulars Langford, Gibbs and Anstey with Spaceways’ drummer Roger Skerman, while Ape is the more intimate duo of Mike Walter (sax) and Paul Shearsmith (pocket trumpet).
If you want something a bit more nailed down, however, then there’s plenty of choice: the John Pearce Quartet comes to the Old Duke (Wed 25) with mighty drummer Ian Matthews likely to lay it on the line, while guitarist Mike Lawrence’s Groovelator (Canteen) will be fusion-frenetic on the same night. Sunday’s Alma Tavern session (29) has classy local tribute band Milli-Meters playing classic swampy New Orleans funk-jazz. There’s a couple of vocalists on offer, too, with young soul-jazz singer Holly Wellington in duo with guitarist Alun Elliott-Williams (No 1 Harbourside, Thursday 26) and the meticulous swing swinger James Lambeth Quartet at the Colston Hall Foyer (Friday 27) – the same night as the annual Harbourside visit from the Spiegeltent kicks off with the self-explanatory White Mink Electroswing review.
But the two top (un-free) highlights must be local quintet Sefrial (Future Inn, Thursday 26) and visiting Danish guitarist Kristian Borring (Bebop, Friday 27). The former are a band that continues to reshape and develop, now playing mostly original stuff of an individual contemporary jazz-rock kind, while the latter is a fine composer of rhythmic and attractive jazz delivered with ‘crisp coolness’ on guitar with regular sidemen Arthur Lea (piano), Mick Coady (bass) and Jon Scott (drums).
And one more from me. Trumpeter Dave Mowat‘s multinational Bristol European Jazz Ensemble debuts a potentially intriguing new collaboration with Dutch singer Anne Chris on Saturday 28th at St Stephen’s Church – there’ll be tickets on the door or you can buy in advance from St Stephens Cafe or Bristol Ticket Shop. You can hear some of her style in this clip.
OK, the big jazz festival is under way now in London (from which I’ve just returned), but plenty of good music in Bristol this week – and some of it, as with Bela Fleck tonight at St George’s , from people who have gigs as part of the London extravaganza.
That includes the mesmeric Sons of Kemet at the Cube cineplex on Wednesday – Sax player Shabaka Hutchings‘ excellent, rhythmically oriented quartet with two drummers in lockstep and bass register taken care of by punchy tuba lines. The personnel has seen some changes: the band concept remains fresh and powerfully listenable.
Yet another strong offering from Fringe Jazz at the Mall on Wednesday, with Theo Travis‘ Double Talk. The saxophonist’s stellar quartet is completed by ace guitarist Mike Outram, Pete Whittaker on Hammond organ and Nic France on drums.
Then Thursday’s session at Future Inns features highly-rated singer Becki Biggins, and the following night at the BeBop club you can catch a newcomer to Bristol, Dutch pianist Daan Temmink, leading a quartet with Nick Dover on sax.
That’s all I have to hand for a hasty Sunday night post. Do add other dates in the comments if I’ve missed anything.
Just off the plane from Delhi, so hoping to hear some of these – jet lag permitting – especially Maciek Pysz…
Thanks for details for Tony Benjamin, as usual.
Ah – a busy week perhaps, especially for those far-sighted enough to get in early for tickets for boiling saxophonist Kamasi Washington and cool soul-jazz vocalist Andreya Triana, both of whose Lantern gigs are well sold out already. But never mind if you missed them – there’s still plenty of fun to be had, starting at the ever-impressive Fringe @ The Mall Wednesday session. This week promoter Jon Taylor’s increasingly star-studded programme brings Polish-born guitarist Maciek Pysz in his trio (Wednesday 11) with the ever watchable percussionist Asaf Sirkis and his regular bass partner Yuri Goloubev. It’s a fine threesome of top class improvisers en route to the London Jazz Festival. A more groove-oriented visiting combo plays the Thekla on Saturday (14) when Cory Henry & The Funk Apostles come to town. Henry is the keyboard player from Snarky Puppy, hipper-than -hip big band of the moment and the band promises to be a high-energy funk-meets-jazz fusion experience.
Here are Tony Benjamin‘s notes on gigs this coming week in Bristol. I’m actually posting this from India, so nothing to add, except that I appear to have an invitation to the Pune Music Society tomorrow. Have a good musical week wherever you are!
Jazz week: November 2
Well if you haven’t already got a ticket for the Hot 8 Brass Band (Lantern, Tuesday 3)
then it’s too late as it sold out a while back. You may need to get your skates on for
Wednesday’s gig at the Fringe @ The Mall, too: gospel/soul vocalist Celestine is pretty
popular in her own right, but her ‘special guests’ include fabulous jazzrock guitarist Tony
Remy, piano luminary Jason Rebello and Kasabian’s Ian Matthews on drums so advance
sales could well be brisk for what should be a dazzling evening. If something calmer is
required, however, the electroacoustic Fitkinwall are playing over at the Michael Tippett
Centre in Bath Spa University (Wednesday 4). The duo of composer Graham Fitkin and
harpist Ruth Wall blends harps and synths into hypnotic and subtle ambient music.
Thursday’s Future Inn session sees the interesting combination of Craig Crofton (sax),
Guy Calhoun (guitar) and Jonny Henderson (Hammond) in Blue Mambo, a new quintet
with percussionists Ivan Moreno and Euan Leslie giving a Latin feel to classic Blue Note
material. Finally, the Bebop club welcomes the Bristol European Jazz Ensemble (Friday 6),
trumpeter Dave Mowat’s multinational collaboration playing their original modern jazz
material with world music influences.
This week’s regular jazz dates get off to a good start on Wednesday with the ever-popular Moscow Drug Club returning to Fringe at the Mall – get there early or book to get a decent seat. Gypsy jazz quintet Maniere des Bohemiens grace the Canteen stage the same evening.
Then Future Inns on Thursday follows last week’s rather brilliant trio set from guitar star Dan Messore and messrs Moore and Brown with Dom Franks’ Strayhorn Quartet. Franks is a former young jazz musician of the year and his sax-led quartet features Alex Steele on keys and “leading Bristol musicians”. Well, there are certainly some familiar faces here…
Nicholas Dover brings his sax/piano duo to No 1 Harbourside on Thursday, too, and you can expect a stirring evening as usual from James Morton and Friends at the Gallimaufry on Gloucester Rd.
Friday at the Be-Bop Club has ex-pat sax wizard Ben Clatworthy on his annual visit to the UK, backed by Jim Blomfield, Dave Guy and Mark Whitlam.
If you’re in Cardiff, or fancy a trip across the Severn, Julian Arguelles’ Tetra are at the RWCMD on Friday, too. Their freshly minted CD confirms their perhaps the best sax-led quartet currently operating in the UK, and they ain’t coming to Bristol so this would be a great chance to hear this tremendous band.
Finally, fans of swing and trad will want to note the welcome advent of a new Bristol venue – Speakeasy Jazz at the Brunswick Club, at the highly civilised time of 3.00-5.30 on Sunday afternoons. It’s an offshoot of the popular Speakeasy club in Portishead. The next monthly session at 15-16 Brunswick Square is on Nov 1 and features Welsh and West Country 8-piece Jazzmaster.
I’m out of town all week, but I hope there’s something there for you…
As expected, that was quite a week. Hot on the heels of Andy Hague‘s excellent big band gig (reviewed by Tony Benjamin here) we had another Bristol special with Andy Sheppard‘s choral spectacular at St George’s. Tony reviewed that too, as well as catching Matthew Halsall at St George’s on Thursday. I didn’t catch that, but managed one set of superb music (half the evening, after which we were too tired to hear any more – wouldn’t it be nice if some weeknight jazz club gigs started before 9.00 pm?) from Ian Ballamy and Percy Pursglove at The Fringe on Wednesday, and a full helping of a truly unusually good show from Joel Harrison’s Spirit House at the BeBop club on Friday.
However (deep breath) the jazz continues. And here, with the usual thanks for meticulous compiling and sage commentary, are Tony’s gigs of note for the coming week. Maybe not quite as spectacular, but still plenty to choose from here!
There’s a brash start to things this week: Canada’s Souljazz Orchestra (Lantern, Monday 19) are a kind of timeless world-jazz fusion, full of energy and tight arrangements made for dancing and well-matched local support act Matuki should find a bigger audience through the gig. Another similarly groovy local outfit – George Mabuza Group – will be at The Old Duke (Thursday 22). The week’s most enticing visitor comes to the Bebop (Friday 23) in the shape of the prodigious young Misha Mullov-Abbado Quintet, another project from the thriving scene that brought us trombonist Tom Green’s excellent septet. Misha is an award-winning bass player composing interesting and eclectic tunes and the band is a real firecracker. Finally – outsiderness – you might want to head over to Bath for the Sirkis/Bialas International Quartet (Burdall’s Yard, Friday 23), which unites percussion master Asaf Sirkis with extraordinary Polish vocalist Sylwia Bialas and also features bassist Patrick Bettison’s jazz harmonica.
Otherwise it’s a fine array of local favourites, though guitarist Dan Messore (Future Inn, Thur 22) is no longer of this parish. His trio with Dan Moore (keys) and Matt Brown (drums) should have a distinctive sound thanks to Messore’s original approach to playing that references both Bill Frisell and American primitive John Fahey. The indomitable violin/piano pairing of John Pearce & Dave Newton are at the Fringe @ The Mall (Wednesday 21) on the same night as contemporary quintet Bristol European Jazz Ensemble appear at with the energetic Brass Junkies also playing that venue on Friday (23). On Saturday (24) there’s a revival of the highly successful When Ella Met Frank, an evocation of those two great singers by Celestine Walcott-Gordon and Denny Ilett with a slimmed down version of the Bruce-Ilett Big Band. It’s a fund-raiser for next year’s Bristol Jazz & Blues Festival and happens at the Redgrave Theatre in Clifton, and on your way home from that you could pop into No 1 Harbourside and catch the John Pratt 4tet. John’s playing in Afrobeat outfit No Go Stop has marked a growing confidence and maturity that is revealing much more of his ability.